Free Guitar Scales Chart

The five pentatonic positions joined across the neck, then the scales that grow from them: major, minor, blues and the modes guitarists use, plus which scale fits which chord. Free in eight sizes, in US or UK music terms.

Guitar scales chart (Guitar Scales), Letter: Pentatonic Positions, Major Scale Shapes, Moving a Shape to Any Key

Make it yours: see it in another style

Size

Any US home printer (8.5 × 11 in). A binder, desk or music stand.

Music words

Download the PDFLetter, US · 116 KB

Customize this posterChange the sections, style and colors, and add your own title, in the Music Theory Poster Maker. $9 PDF.

On the Letter poster (3 sections)

  • Pentatonic Positions
  • Major Scale Shapes
  • Moving a Shape to Any Key

The bigger the poster, the more fits: A2 and larger have all 11 sections.

All sizes and files
SizeDimensionsSectionsUS termsUK terms
Letter216 × 279 mm · 8.5 × 11 in3PDF, 116 KBPDF, 116 KB
A4210 × 297 mm · 8.3 × 11.7 in3PDF, 116 KBPDF, 116 KB
11 × 17 in279 × 432 mm · 11 × 17 in6PDF, 170 KBPDF, 170 KB
A3297 × 420 mm · 11.7 × 16.5 in6PDF, 170 KBPDF, 170 KB
A2420 × 594 mm · 16.5 × 23.4 in10PDF, 245 KBPDF, 245 KB
18 × 24 in18 × 24 in · 457 × 610 mm10PDF, 246 KBPDF, 246 KB
A1594 × 841 mm · 23.4 × 33.1 in11PDF, 289 KBPDF, 289 KB
24 × 36 in24 × 36 in · 610 × 914 mm11PDF, 289 KBPDF, 289 KB

What’s on the guitar scales chart

  • The five pentatonic positions: A minor pentatonic across the neck from the 4th to the 17th fret, with each position bracketed and shown again as its own box. A is the minor root; C, ringed, is the home of C major pentatonic, which uses the same notes.
  • Major scale shapes: A major with the root on the 6th string and on the 5th.
  • Moving a shape to any key: which fret is which key on the 6th and 5th strings.
  • The blues scale, natural minor, Dorian and Mixolydian (11 × 17 in and larger), each with the note that gives it its sound in orange.
  • Harmonic minor, major pentatonic, the major blues scale and which scale fits which chord (A2 and larger).
  • Lydian and Phrygian (A1 and 24 × 36 in).

Every shape is in A, so they’re easy to compare, and every dot is worked out from standard tuning and checked: each shape holds only its scale’s notes, all of them.

How to use it

  • Start with position 1: it’s the shape most solos use. Play it up and down slowly, then add positions 2 and 5, the ones either side.
  • Connect the positions: each position starts where the last one ends, so you can slide from one to the next and use the whole neck.
  • Change key: move every shape together. Put the root on the fret for your key using the table, for example the 3rd fret on the 6th string for G.
  • Pick the scale for the chord: the “which scale over which chord” table tells you what to play over a minor chord, a 7th chord or a major chord.

Learn it step by step

The poster is a reminder; these free lessons and guides teach each part, with notes you can play and hear.

Moving a Shape to Any Key
Lesson 26: Half Steps and Whole Steps
Which Scale Over Which Chord
Chords in a Key · Chord Formulas
New to reading music?Start with lesson 1: free, in your browser, no account.
Start lesson 1

Questions

Is it really free? Yes. Download it, print as many copies as you like, and share the link. No email or account.

Which size should I print? Letter or A4 holds the pentatonic positions, the major shapes and the key table. 11 × 17 in and larger add more scales, and A2 and up have the full chart.

Why is everything in A? Most guitarists learn their first scales in A minor, and keeping one key makes the shapes easy to compare. Every shape moves to any other key; the chart shows how.

How do the five positions relate to CAGED? Each pentatonic position sits around one of the five CAGED chord shapes. The CAGED system chart shows the five shapes with their arpeggio, pentatonic and major scale.